Author's Hangout With Zizi
Davy Fidel is a talented Nigerian author and poet whose writing is deeply influenced by personal experiences and the realities of everyday life. He lost his father at the age of seven and was raised alongside five siblings by his mother. Financial constraints truncated his university degree ambtion, but that did not stop his pursuit of knowledge.
Davy educated himself through literature and, over time, he transformed his love for reading into a passion for writing, and it became an outlet to express his experiences and the world around him. He uses poetry, fiction, and essays to explore life, hardship, resilience, and everyday experiences.
His book, Street Tears, a collection of poems, was submitted for the Nigeria Prize for Literature in 2022. The poems in the book reflect many life realities, including his childhood experiences. In the poem Died Without A Word, he revisits the painful memory of his father’s death.
I may want to respond to the question this way. Being that I was born into an Igbo and Catholic family before I chose a different orientation and philosophical thinking to interpret life, society, and the psychology of human beings and their behaviour towards the things they react against or not. I have always preferred to use a pseudonym that I am comfortable with, and it is Davy Fidel.
I am a writer, poet, novelist, essayist, and short story teller. My poems, "Alone on the Big Sea" and "Squirrel," were published in The Apollonian and Global Writers’ Project first-quarter edition in 2026. My short story, "Ekwensu Left Behind a Note," was selected for the Nigeria Contemporary Writers’ Anthology.
Yes, I remember correctly. I was a teenager then. What inspired me to write my first poem was what happened to me in 1997 in Saint Mary’s Catholic Church in Lagos. It is something I am not sure I can forget. I wrote the poem six to seven years after 1997 because the memory of it breathes deeply in me, and I cannot dismiss or bury it. ‘‘Loneliness’’ caused it, and that’s the title of my first poem. I wrote it in a notebook and several other poems thereafter. To this day, I still have the notebook. I also can’t forget how I felt that day. The ordeal was an immovable flask in my heart.
What initially drew you to poetry rather than other forms of writing?
How would you describe your poetic voice or style?
I would say it is philosophical, metaphorical, and, more importantly, uses what I see, think, and evaluate to interpret and say things about humanity through the device of poetry that is at my disposal.
What themes or ideas do you find yourself returning to often in your poetry?
Just to mention a few themes, they are nature, life, humans, death, love, politics, and others. This question also reminds me of fire, air, water, and earth. So, when I sit down to write or think of something. I always try to use the concept of dialectical materialism to interpret little things and objects around me that catch my eye. Even when I sometimes write prose poems, fiction, and short stories, I practice daily. I endeavour to caption these things in the social context of life, death, humans, love, and nature. Using Psychology and Philosophy also aids me in writing my poems.
What does your writing process look like? Do you write daily, or only when inspiration strikes?
At first, it wasn’t smooth. It was rough, frustrating, and full of distractions. But I motivated myself and never surrendered to what I struggled with and the hard parts of life. I never allowed those things to weigh me down. Given this background and knowing what I really need in this life, I practice my writing daily so I can improve
my craft, and I never stop. And as I go deeper into it- I mean, in the kinds of writing I do. I began prioritising it. Inspired or not, I write daily. I don’t have a specific day or hour to write. I think of something, I see something, I hear things; I just write and keep writing.
Which poets or writers have influenced your work the most, and in what way?
I don’t think I have any major poet or writer I can really say has influenced the way I write. The answer I can provide is that I read different books. I don’t select what I read. I just read because I want to see how it is done and why. I also want to learn the trick so I can craft mine and use what I learn when I read other poets’ or writers’ books to say the things I interpret about life, death, humans, nature, love, and even society through the concept of what I mentioned earlier.
Are there any non-literary influences - music, art, film, or personal experiences that shape your poetry?
Yes. Life experiences of people around me and the things they say about their lives – good or bad – trigger me to write. Listening to details and interpreting them is another nuance for me. I try to picture them in my mind while I position and envision what they think when they say those things. Listening to music, especially rap, and watching crime movies, medieval history, politics, romance, and others are part of it. Meditation and silence are another brew for me, including memories that have their own bite too.
What message or emotion do you hope readers take away from your poems?
In answering both questions, I would say I put in everything I got – heart, head, and body. I don’t detach myself from what I write. Is it my time, mood, and how I feel? I invest hours into what I write, and I try to think them through. For imagination and lived experience, it is both ways. I see things, I read meaning into them, I envision things, and I deeply think about them. This process reminds me of a work of fiction I completed in 2025 that is unpublished. I never planned it. But because of the things I saw. The scene pushed me, and I began writing, and I completed it — 500-plus pages.
Tell us about the challenges in getting your first book published?
My dream is to have a publishing deal that would take care of everything while I concentrate on my literary works. That said, such hasn’t become a reality. I just have to deal with what is in my disposal. Publishing my first book wasn’t easy. It was tough, stressful, and time-consuming. Is it finding the appropriate market and readers? This is something the publishing house should be handling, not a writer or poet.
How do you market your work? What avenues have you found to work best for you, and has it been rewarding?
It isn’t easy for either a writer or a poet to self-publish their work and then market their books through their sweat and blood. Attending literary gatherings and small communities of readers, I endeavour to introduce my book in such spaces and to individuals I know, and who know me. I also try to utilise online communities.
For the reward, I would say it is for me to continue pushing while I search for bigger platforms.
Tell us about your recent poetry book, The Sun Laughs at Night, and what inspired the collection?
committed against humanity, love, fear, ideas, individualism, and other subject matter the book has tried to capture. I wouldn’t have been able to write the fifty-one poems without giving meaning to the little things I see and think about that took place at the time I wrote the book.
What’s one lesson poetry has taught you about life or
How do you overcome self-doubt and maintain confidence in your work?
I write, and I don’t stop writing. I set a target for myself, and I don’t allow what people think or say about what I do to wreck the passionate side of me. Instead, I see those things that fall from people’s mouths as oil for me to continue writing. I also don’t run around for validation. I motivate myself by reading, learning, and thinking so I can improve the things I write about and, importantly, my craft. Patience is another thing for me in writing.
Which of your poems means the most to you and why?
What advice would you give to aspiring poets who want to find their voice?
Give us an interesting fact about any of your books.
Hmm. [smile]. This question puts me on the hot seat. [smile again]. In simple words, I would say life, hope, and the future. These three put me on the pedestal of thinking widely.
How has being a writer impacted your personality growth, and where do you see yourself in the coming years with your writing?
What do you consider your best accomplishment as a poet?
I would say they are consistent, self-motivating me without people’s validation, and never giving up on me in this journey of writing and never stopping writing. These armouries relieve me. Another accomplishment is my sense of humour, patience, and my daily practice so I can remain original in what I write. The final calabash for me is discipline. Through the latter, I have been able to consolidate every unrecognised effort I am putting in so I can be better in my literary works despite the challenges.
What has been the most powerful reaction you’ve received from someone reading your work?
Oh. [I smile]. I may need to say that since ‘The Sun Laughs at Night’ was released in March 2026. A few of the reactions I received when I introduce my book to individuals in the places I go are: ‘‘You are a deep thinker.’’ ‘‘You have a sense of humour.’’ ‘‘You have done a great job.’’ ‘‘This is a great achievement. I am proud of you, Fidel.’’
These words are from those who bought a copy directly from me. One of them is a German I met in a book club on the island, and it was June 30, 2026. Their words refill the gallons of water in my body. This is apart from others I have received that made me wonder.
What can readers expect from your future work?
Where can people read your poems and connect with you online?
The Sun Laughs at Night is available on Selar - https://selar.com/77b2195691. It will come out soon on other online platforms. My handle is on Instagram — davynovich. For a talk, send an email. lifeinslums@gmail.com [Please no links]
Thank you for this wonderful opportunity to talk briefly about my writing journey.
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